Don Giovanni 2 Essay Research Paper On free essay sample

Don Giovanni 2 Essay, Research Paper On Saturday October 16, 1999, the Marsee auditorium played host to the San Francisco Opera and their production of, Don Giovanni. The San Francisco Opera features the universe s major operatic endowments in its one-year season. The San Francisco Opera Center represents a new epoch in which immature creative persons of major operatic potency can develop through intensive preparation and public presentation. Fortunately, for the people of Southern California, these professionals came to us. Don Giovanni, a authoritative opera created by Mozart was performed to its full potency, from get downing to stop. The drama opens with the audiences favourite and most humourous character Leporello, who is Don Giovanni # 8217 ; s servant, functioning ticker for his maestro as he tries to tribunal Donna Anna, the girl of the Commendatore. To understand Don Giovanni, we must understand his positions on adult females and his positions on himself. He is an chesty adult male who tries to kip with every bit many adult females as he perchance can. He sees adult females as olympian, charming, but will demo love to them merely if they fall for his intensive courtship abilities. While seeking to score Donna Anna, she summons her male parent, the Commendatore, who rushes to her defence. The two Begin in a affaire dhonneur in which Don Giovanni slays the old adult male. Upon seeing her dead male parent, Donna Anna and her fianc, Don Ottavio vows decease as the lone retaliation. The following forenoon Leporello and Giovanni run into a jubilation a immature twosome that is traveling to be married. The twosome, Masetto and Zerlina, along with their friends are invited to Don Giovanni s house for a jubilation. However, Giovanni has the purposes of observing entirely with Zerlina, who falls for his sufferings merely until Elivra interrupts Giovanni s game and denounces him taking Elvira off. After recognizing that Giovanni is infact her male parent s slayer, Donna Anna calls for retribution one time once more. Meanwhile, back at the pa rty, while everyone is basking themselves, Don Giovanni once more tries to score Zerlina, merely to do her call out and galvanize everyone at the party. Afraid, Giovanni tries to put fault on Leporello as the 1 who attempted to score Zerlina, but no one believes him. Surrounded and condemned, his decease seems to be upon him.. This concludes act one. Act two begins with Giovanni stating his retainer of his latest secret plan that involves the two exchanging outfits so that Giovanni can hold a opportunity to woe Donna Elvira s amah. This was a instead amusing point in the drama as we see Leporello battle to portray Don Giovanni with humourous ness vacillation and manus gestures. Finally, tired of utilizing his manus to maintain the ness above his face, Leporello uses Giovanni s blade to maintain it up. This brought the biggest sum of laughter throughout the drama. To sum up, others realize that Leporello is portraying Giovanni and allow him get away as they search for Giovanni himself. When both Giovanni and Leporello meet at the cemetery, Leporello tells Giovanni of the enraged crowd that is coming to kill him. A voice is so heard coming from the Commendatore grave statue that describes Giovanni s hereafter. The statue is so invited by Giovanni and accepts. Subsequently, Donna Anna tries to acquire Giovanni to alter his ways but is rejected and scared when the statue of the Commendatore arrives. Don Giovanni is once more told by the Commendatore to alter his ways but denies and eventually is dragged to his decease and to hell by the statue. At the decision of act one, I was impressed with the public presentation so far. Though non really glamourous, I liked the set used for the drama. It was three dimensional, two pillars on the front terminal of the phase, with one major house construction in the dorsum ( seemed to hold a froth or squashy expression, but made of wood most likely ) . The set was fictile, intending the histrions were able to utilize it through the public presentation. It was besides automatic or controlled by remote, holding Windowss and doors open automatically. The lighting of on phase, particularly the visible radiation on the set itself was beautiful. I liked the Washington Y it reflected off the top of the Villa and down on phase. Fog and strobe visible radiations were used every bit good. These visible radiations made the scene where Don Giovanni is dragged to hell one to retrieve. Through the gate, there was a background that had a image or picture of stepss and a fountain ; I liked this since it made the set stick out as 3-dimensional. Through act one all of the performing artists voices were first-class. After all, they are professionals, and being professional agencies that we the audience expect the best. The voices of the performing artists were on cue with the music, they matched the pitches and tones, and rose and lowered on cue. Bing a work of Mozart s I can merely anticipate to be amazed and that I was ; non being a fan of Opera at all. My favourite piece of music was of class that of Leporello when he sings of the figure of adult females his maestro has conquered. It was catchy, it was humourous, and it was performed attractively, Leporello, performed by Vladimir Shvets, made me laugh with his witty wit and his catchy vocal to Elvira, performed by Dana Beth Miller, about how many people his maestro has slept with. Of class with any Opera, the music must be of high criterion. Every instrument soothed in perfect harmoniousness and every pitch or increase in tone was received good on phase. The characters motions flowed with the music, their manus gestures, footfalls, all were in harmoniousness. Don Giovanni, performed by Ricardo Herrera, our chief character was first-class through the drama. Though we see him as a adult male who cares for adult females on as objects of his desire, we still experience for him as a hero. His actions, his grace, his elegance, are features that we hope for in a hero. Another ground why this was such a enormous production was due to the elegance of the costumes. I admit, I am non certain of what people in those times precisely wore, but for this drama the costumes were elegant. They consisted of largely dark colourss that favored Giovanni in many ways. Dressed most elegantly he would have on ruddy when others wore black, he would have on black when others wore green. He ever stood out. Cloaks, nesss, long frocks that poofed out at the underside were all worn. There were outfits that reminded me of royalty, with their colourss and button agreements, were worn by all the work forces in the public presentation ( exclusion of Leporello, who wore what seemed to be a cover or cloak over his shoulders the full drama ) . Hats with white plumes, blades, shiny places, and tremendous gowns were all worn. Velvet, polyester, silk, even rayonss were used to do the costumes themselves. Performance was the ground that this Opera worked good. Having no anterior cognition of Don Giovanni all the histrions seemed to suit their character roles absolutely. Don Giovanni, performed by Ricardo Herrera, looked like the type to be a womaniser, at least in costume, he besides seemed to be chesty. He fit his function good. Vladimir Shvets who portrayed Leporello, suit his portion good. He had the expression of a hapless, mild retainer. His outfit suit his character good, as it resembled shreds or the outfit of the hapless. The three ladies, Donna Anna, performed by Julianna di Giacomo, ; Donna Elvira, performed by Dana Beth Miller ; and Zerlina, performed by Katia Giselle Escalera all had proper costumes that fit their functions decently. Masseto, performed by Eric Jordan, showed that he could sing with small musical Numberss and first category playing as a covetous hubby. His portion after he is crushing by Don Giovanni was possibly my 2nd favourite portion in the drama as he uses his failing to encompass Zerlina. Don Ottavio, performed by Lee Gregory, had a instead little portion but made his presence felt with his repeating voice and beautiful sound. Overall, the Opera was merriment. Don Giovanni, has likely been performed over 1000s of times, some of them good, some of them bad. This was one of the good 1s. Every facet of the Opera was brought out to excellence, was portrayed with self-respect, and performed with award. The histrions were good rehearsed and it showed with an first-class public presentation.